The X Files (1998)

Film spinoff from tv’s hit ultra-paranoid alien conspiracy drama. The film is caught in the unenviable position of trying to give fans what they want and reiterate the basics of the series for new audiences, while giving away no plot details in advance, and as a result ended up pleasing nobody
The X Files: I Want to Believe (2008)

The second theatrical spinoff from The X Files, a dismally dull entry where one wonders how the people who created one of the great tv shows of the 1990s got it all wrong
The X from Outer Space (1967)

A wannabe entry in the Japanese monster movie, this has the distinction of featuring possibly the most ridiculous monster to ever turn up in one of these films
X (1996)

Anime involving a superheroic battle for the fate of the world. Dazzling eye candy but too many characters and subplots make things confusing
X (2022)

Ti West returns with a fascinatingly charged psycho film that takes place on the shoot of a 1970s porn film
X the Unknown (1956)

An early Hammer film, an attempt to exploit the success of their Quatermass films. This prefigures the menace of The Blob by a couple of years (while adding a few dashes of the atomic monster fad) but comes with a stark b/w urgency that makes this by far the better film
X – The Man With X-Ray Eyes (1963)

Great Roger Corman film in which Ray Milland is a scientist who invents a serum that allows him x-ray vision with disastrous consequences
X-Men (2000)

Bryan Singer’s dynamic and exciting adaptation of the Marvel Comic title fairly much kicked off the massive fad for Marvel superheroes in the 00s/10s. This was also the film that mad Hugh Jackman into an international superstar.
X-Men Origins: Wolverine (2009)

After the disaster of X-Men: The Last Stand, the decision was made to give a whole film over to the series’s most popular character, Hugh Jackman’s Wolverine, and to go with a prequel that told his origin story. Largely a film that exists as a series of superheroic action scenes
X-Men: Apocalypse (2016)

The seventh X-Men chapter arrives with a certain ennui. Bryan Singer creates some epic scenes but the sprawling ensemble and the series’ ragged continuity makes it hard to invest in the characters, while the new villain looks like a B movie wizard and the mass destruction climax comes surprisingly by the book
X-Men: Dark Phoenix (2019)

Despite the bad press surroundings this, I failed to find it as bad as other reviewers. It’s a solid if not standout entry in the series with some fine superheroic action sequences
X-Men: Days of Future Past (2014)

It is nice to see Bryan Singer regain his form after several years lull. The plot is nothing world-shattering but it is nice to see a character-driven X-Men, while Singer delivers the superheroics with a cheer-out loud elan that most of the sequels missed by a wide margin
X-Men: The Last Stand (2006)

Brett Ratner inherits the X-Men franchise from Bryan Singer for the third film in the series and promptly killed it off (after this point everything became prequels featuring Young X-Men). Ratner’s handling of the superheroic action lacks Singer’s exhilaration or any affinity for the characters
X-Ray (1982)

An early Cannon Films offering among the 80s slasher fad premised around a hospital setting and seeing the phenomenally well-stacked former Playmate Barbi Benton undressed. Most of the paper thin plot seems to have been made up on set and the direction is ridiculously overwrought
X2 (2003)

Bryan Singer’s immediate sequel to X-Men, this ups the number of new mutant characters, although only sporadically manages to kick in with the spectacular superheroic action sequences the first film had
X: First Class (2011)

An X-Men origin story that serves as the occasion to recast the series with younger actors. This works far better than the previous two films, integrating the characters in a strong story, although is quiet at the superheroic action
Xanadu (1980)

Bizarre disco fantasy that could have only been conceived out of 80s cocaine madness. Olivia Newton-John is a Greek muse come to Earth to inspire the building of a roller disco. Frequently cited as a bad movie classic, this has mind-boggling scenes that have to be seen to be believed
Xchange (2000)

Modest and surprisingly well thought out SF film set in a future where swapping bodies is commonplace only for a man to find his original body has been stolen
Xombies 3D (2011)

Amid the vast horde of low-budget zombie films of the 00s, this Norwegian effort in 3D emerges as possibly the worst. It has no discernible plot, while the gore only consists of cheap digital overlays that looks like Monty Python cutout animation
Xtro (1982)

A British-made copy of Alien that has been construed as a series of bizarre images and scenes that make no real sense – even the title is given no explanation
Xtro II: The Second Encounter (1991)

Xtro was cheesily ridiculous Alien copy. This is a sequel that bears nothing in common with the original beyond the title. In between the two films, we had Aliens so there is now a plot about soldiers hunting the creature with biiig guns. Nothing bad, just an uninspired rehash of the standard Alien copy
Xtro3 (1995)

Third of the Xtro films, none of which are related to one another, this features the discovery of aliens at an abandoned military base
XX (2017)

As directors, women are underrepresented – in terms of the content listed on this side, for example, probably less than 5% has been made by women. As a believer in equal opportunities for all, one can only cheer on XX where five women have gotten together to make a horror anthology
xXx (2002)

One of the most brainless action films ever made. This has the laughable notion of trying to make a James Bond film but recasting it with Vin Diesel as an extreme sports junkie. Everything about the film is absurd.
xXx: Return of Xander Cage (2017)

xXx, with Vin Diesel as an extreme sports junkie version of James Bond, was ridiculous. This second sequel surprisingly turns out halfway watchable, keeping the stunts moving fast and introducing an ensemble to build this out as a Fast and the Furious-type franchise